The Mammoth Book of Best New Manga by Ilya (Editor)
Here comes the new breed! The first full-length anthology
of best new manga, by the brightest young talents in the field. Bursting
with energy and imagination, this collection features the most exciting
new work by western manga-ka Japanese style comics being produced by
western artists. Contributors include promising stars like Michiru
Morikawa, winner of the Grand Prize of the International Manga and
Anime Festival, Selina Dean and Asia Alfasi, as well as established
names such as Andi Watson and Craig Conlan.
Over 500 pages long, the anthology showcases more than
15 new stories, complete and unabridged. Many expand on the limited popular
conception of 'big-eyed' manga in original and unexpected ways — home-grown
stories that speak directly to western audiences. The collection follows
the format of the benchmark annual Mammoth anthologies of science fiction
and horror, and includes a brief introduction to each contributor.
• Order the hardback from Amazon.co.uk: Go
• Order the hardback from Amazon.com: Go
This is the first Dan Dare collection I've edited for Titan Books, comprising work by Frank Hampson, Frank Bellamy and Don Harley.
Superb World War 1 strip first published in Battle and another collection edited by me for Titan
Rok Comics Creators: Paul Harrison-Davies First Published: 8 March 2008
Paul Harrison-Davies is a modest but accomplished comics
artist popular in British indie circles, whose work has been published
in the Mammoth
Book of Best New Manga. His upcoming strip for Accent Press' Robots anthology, "MY
Robot!" has been adapted into a ROK Comic series.
Questions compiled by David Hailwood
How did you discover Rok Comics?
John Freeman told me about it.
How do you feel about Digital comics over Print based
comics?
Nothing beats paper for reading, but as long as it's good
comics then I have no preference.
What's your greatest achievement in the comics field?
I haven't really achieved anything 'great' yet. Working
up the nerve to show my work is my greatest achievement so far.
What projects (both Rok Comics and non Rok Comics related)
are you working on at the moment?
Nothing Rok Comics specifically [apart from MY
Robot - Ed], but I am working on a couple of kid friendly
comics as well as attempting some more 'manga' style work.
What advice would you offer to new cartoonists?
I'm not really in a position to give advice. There's two things
I wish I'd done though.
1) Practice more, never get lazy, just because you
draw something well once doesn't mean you'll always draw it well.
2) Enjoy
what you do. I tried for a long time to force myself to draw in a way that
I wasn't interested in. It's best to decide if you just want to be published
or if being published is secondary to what you want to create.
What's your favourite comics related website?
When I remember to look it's The
Comics Reporter, mostly I
just like looking at random blogs.
Where else has your work appeared?
The first Mammoth
Book of Best New Manga, AccentUK's Zombies and
Robots (released
May 2008) anthologies and the odd small press title over the years - Solar
Wind, Violent! and a few of Jason
Cobley's Bulldog comics. I did my own self publishing for a bit, under
the name 'Mo!' too.
Where/when did you get your first comics break?
Think I'm still waiting for my 'break', drawing 'MY
robot!'
has been closest to a break, just because I enjoyed it.
What comics are you reading at the moment (both web and
print based)?
Ongoing titles I read are Jack
Staff, Nexus, The
Spirit, Glister by Andi
Watson,
Dungeon, Disney Comics
and Stories and Uncle Scrooge. But
I read a lot of one offs/GNs and the like, such as Kazu Kibuishi's Flight (and
anything solo by the contributors), anything by Jason and Richard Sala,
uh, a lot of Fantagraphics titles, Drawn and
Quarterly, First Second,
Top Shelf, that kind of thing. I also read lots of reprints of classic
work (Popeye, Moomins, Gasoline Alley, Dick Tracy, Steel Claw, The Spider
etc) that are coming out too which I often pick up.
Whose work do you most admire in the comics field and
why?
Alan Moore, for being brilliant. James Kochalka for just following
his muse. Lewis Trondheim for being so incredibly prolific and entertaining.
It's an endless list in terms of talent though, so I'm even going to try!