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Online Art Board Supplies

Comic art for the major companies such as Marvel or DC is drawn on special art board that includes 'blue line' indicators so the artists draw to the correct size proprotional to the final US comic book art size. Artists contracted to the companies are provided with this board, although I am not sure if this is still supplied gratis, as it was in Paul Neary's day as Editorial Director at Marvel UK, or if they have to pay for it.

Page measurements apparently vary slightly from company to company, so using ordinary Bristol board and a ruler may be a better option for the aspiring artist than seeking down this specialised board.

2000AD is now published pro to US comic book size.

BlueLine
There is a type of Bristol board called BlueLine which features these the official comic page measurments printed on it. It's solicited through Previews and, therefore, most comic shops should be able to order it. Some artists don't like it.

Bristol Board
• Most art supply shops in Belfast sell Bristol board in A3 20 sheet blocks.

Art Supplies

• Blink Twice
28/10/05: The Blink Twice Art Product range sells everything a professional comic artist/aspiring new comer needs to do the job! (Well maybe not everything, but the Blink Twice boys are bigger than me).
The initial range includes: the Blink Twice Comic Book Board is £10 for a pack of 12 sheets; the Blink Twice Sketch Books are £3 and come in either Pink or Blue; the Blink Twice Layup Book is £5
All products can be ordered directly through the site at: www.kennel17.co.uk/
malcolm/orderform.htm


Great Art Supplies: www.greatart.co.uk
Gerstaecker UK Limited / Great Art, Normandy House, 1 Nether Street, Alton, Hampshire GU34 1EA
Telephone Order line 0845 601 5772 (Local call rate)
Described as Europe's largest and brightest catalogue for art materials, this company says "Whatever your angle - whether you're an art student, leisure painter, art teacher or professional artist - we're sure that you'll find that we are full of all the supplies you need." They publish a variety of catalogues for each country -- one artist I know orders material from their French rather than UK edition.


London Graphics Company: www.londongraphics.co.uk
16-18 Shelton Street, Covent Garden London WC2H 9JL
Tel: 020 7759 4500 Fax: 020 7759 4585
London Graphic Centre was established in 1973 as a specialist graphic materials supplier to the London Design and Advertising market. The last 30 years have seen dramatic changes in working methods. We have maintained our unrivalled reputation for outstanding service by adapting to industry changes and expanding into new products and markets.


Dip Pens

• Hans Presto: hans.presto.tripod.com
This Swedish (with English translation) site apparently stocks and sells just about every dip pen ever made. It also has sections on Lettering, Comics and Handwriting. (thanks to artist Kev Hopgood for this one)

Comics Artists 0


O
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Harris O'Malley
Link: www.studiounderhill.com

Studio Underhill, P.O. Box 685135 Austin, TX 78768-5135 USA
Harris O'Malley is the writer/artist/publisher of the dark urban-fantasy series
Between the Cracks and Masquerade. He's also collaborated with writer Jens Altmann on the horror graphic novel Beserker.

Albion #6 - Panel. Art by Shane OakleyShane Oakley
Link: shaneoakley.blogspot.com

Shane Oakley's credits include the brilliant British comics revival
Albion (panel from #6, right), Monsters for Accent UK, Limbo - a proposed collaboration with Alan Moore for Tomorrow Stories - concept art for the British horror film written and directed by Frazer Lee Urbane and Vortex Comics' Mister X back in 1989. It was Shane who was instrumental in getting the Albion project off the ground in partnership with Alan Moore and IPC's Andrew Sumner.

Buy Albion from Amazon.co.uk (Titan edition)
Buy Albion from Amazon.com (Wildstorm edition)

Read an interview with Shane Oakley on downthetubes

J. Edward Oliver
Official: www.jeoliver.co.uk
Wikipedia Entry: en.wikipedia.org/wiki/J_Edward_Oliver

Cartoonist with a huge number of strips to his credit, who died in May 2007, but his web site lives on as a lasting memorial to his talents. (Peter Gray pays ribvute to him on his web site).
His work included strips for the deceased
Buster, Whizzer and Chips and Whoopee. He is perhaps best known for his E C Ryder (but later, just J. Edward Oliver) strip which began in Disc (and Music Echo) in late 1970 and ran for seven years until it was cut from the pop newspaper in 1977, by then called Record Mirror. It was the longest-running pop strip in history.

Jose OrtizJose Ortiz Moya
1932 –

Credits include: Capitán Don Nadie, Príncipe Pablo, Juan Bravo, Dan Barry, Sebastián Vargas, Balín, Pantera Negra, Sigur, Johnny Fogata, Carolynn Baker (the Daily Express), Tarzán, Hombre, Jack the Ripper, Burton y Cyb, Juan el largo, Tex and The Thirteenth Floor (Scream!).

Now living in Cartagena (Murcia), Spain, Jose Ortiz is the son of a painter who first began drawing at just 16, working as an assitant to Manuel Gago, author of El Guerrero del Antifaz (Mask of Guerrero). His first published work was El Espía (The Spy) for Editorial Maga. He then moved to Valencia to share a studio with his brother, Leopoldo, and other comic strip professionals such as Luis Bermejo and Miguel Quesada, which became known as the Escuela Valenciana (Valencia School).

Ortiz went on to draw several more strips for Editorial Maga including: El Capitán Don Nadie (1952), El Príncipe Pablo (1953), Sebastián Vargas (1954), El Duque Negro (1957), Balín (1955), El Duque Negro (1955), Pantera Negra (1956), and Johny Fogata (1960). At the end of the 1950s he also began working with Toray and Brugera on Sigur el Vikingo and a series about histories of Western gunmen – Hazañas del Oeste – as well as illustrating novels such as Bisonte Extra and illustrating adaptations of classic novels under the umbrella title Colección Historias such as Los Viajes de Gúlliver (Gulliver's Travels) and Las Cruzadas (The Crusades).

In the 1960s he began working for the publishers in the United States, Britain and Italy, drawing war strips commissioned via the Bardon Art Agency run by Barry Coker, who sourced artists for IPC and who is much-praised by talents such as Brian Bolland and others. Ortiz drew the fondly-remembered newspaper strip Carolynn Baker for the Daily Express for two years and series such as U.F.O. Agent for Eagle.

In the 1970s, he worked with editor/writer Josep Toutain (who also worked with creators such as Dick Matena) on Mitos del Oeste (Myths of the West) books about the old American West, published in both Spain and distributed in the United States. Their success led in turn to Ortiz' work for Warren, on a huge range of strips for their horror, fantasy and science fiction titles Creepy, Eerie and Vampirella, and was declared Warren's best artist in 1975. Ortiz credits at the time also include work on strips such as Tarzan, Son of Tarzan and The Crow.

He also continued his work for Toutain, on titles such as the highly acclaimed Los Cuatro Jinetes del Apocalipsis (Four Horsemen of the Apocalypse).

After 12 years of work for the US and elsewhere Ortiz returned to working for Spanish companies, and on his own projects. In the 1980s he again worked on historical strips, largely with writer Antonio Segura, re-telling, for example, the story of the infamous Jack the Ripper and many other series, all drawn in his distinctive style. The partnership has been very successful and continues to this day desite the decline in comic sales in Spain in recent years.

In 1982 Ortiz became co-publisher at the short-lived magazine house Metropol with nephew Leopoldo Sánchez, and Mariano Hispano and Manfred Somme, releasing just three titles in one year of operation - Metropol, Mocambo and KO Comics. Ortiz drew his well-known strip Man for the latter title, as well as illustrating the strips Bogey and Frank Cappa.

In the early 1990s Ortiz drew Bud O'Brien u Ozono and in 1992 completed two highly respected albums as part of a series, Relatos del Nuevo Mundo (Stories of the New World ), published by Planet for the Spanish market as part of the celebrations marking the fifth centenary of the discovery of America. An ambitious undertaking spanning some 25 large format hardcover colour albums incorporating one long strip each, Ortiz contributions for this were La Civilización Inca (The Civilization of the Incas) and Orígenes del Hombre Americano (The Origins of American Man). Other comics artists on the project also known for their US work included Jesus Redondo and Alex Niño.

Sadly, the Spanish comics market seems in just as much of a decline as the UK in recent years but Ortiz continues to find work beyond its borders, working on the cowboy strip Tex for Italian publisher Sergio Bonelli, along with other strips such as Ken Parker and Magico Vento.

In 1998, the Asociación de Amigos del Tebeo de la Región de Murcia  (the Association of Friends of the Tebeo of the Region of Murcia) awarded Ortiz the honour “Paparajote de Oro” for his work.

• Lambiek Entry: http://lambiek.net/artists/o/ortiz_jose.htm
• Excellent bio (in Spanish) at: www.murciacomic.com/quienesquien/ortiz.htm

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