Official: theomen.free-online.co.uk
Highly
regarded British superhero
group self-published
by creator Martin Eden.
has had rave reviews
in Comics International
Martin Eden has been interviewed for the BBC's comics site.
Official web site: www.theauthenticperishers.co.uk
This wonderful web site is packed with information about the Daily
Mirror strip, which first appeared in 1958 and centres
on a group of children and shaggy English Sheep Dog Boot. Longtime writer
of the strip, Maurice Dodd, died on New Year's Eve 2005, aged 83. He
was still providing storylines for the strip through his retirement and
up until his death. See tribute
The Daily Mirror stopped publishing the strip on 10 June 2006. There
was no explanation, but apparently the backlog of scripts by long-time
writer Maurice Dodd had run out. No more Eyeballs in the Sky... (thanks
to Dave Langford)
Maurice Dodd was a lifelong supporter of CAFOD, the Catholic
Agency For Overseas Development, and donations in his memory should be
made to that charity. They can be sent to the charity direct, at CAFOD,
Romero Close, London SW9 9TY, UK.
While not enjoying as much comics exposure as Danger Man, Patrick McGoohan's
cult tv series has had two memorable comics outings, as well as numerous
spoofs from the likes of cartoonist Lew Stringer.
Dean
Motter created a four issue series called The Prisoner: Shattered
Visage for DC Comics in the 1980s, while Jack Kirby drew the first
issue - or at least 17 pages of -- a never-published Marvel Comics
The Prisoner book. Read
more about that on the TwoMorrows site dedicated to Kirby.
Steve Englehart also contributed to another attmpt to produce a The Prisoner
book: he talks about it at: www.steveenglehart.com/Comics/Prisoner%201.html
Official site: www.royoftherovers.com
This official site, supported by Egmont Magazines, has been run
by Mark Towers since November 1999. It's packed with info on one of Britain's
best-loved football comic heroes, last published in Match
of the Day magazine back in 2001. Fab site for any Melchester
Rovers fan!
The Space Patrol comic strip: http://homepages.tesco.net/~space.patrol/SpacePatrol/TVComic1.htm
Inspired by the eponymious 1960s puppet series, the Space
Patrol comic stories which appeared in TV Comic,
drawn by Bill Mevin, were written by series creator Roberta Leigh herself and
were very
true to the quirky feel of the series. This page is part of a much larger site
dedicated to the Space Patrol show.
|
The Steel Claw: The Vanishing
Man from Titan Books. Cover by Brian Bolland |
|
1965 Spanish Steel Claw comic, known in Spain
as Zarpa de Acero |
First Appearance: Valiant,
16 October 1962
Owned by: IPC Media
First written by SF writer Ken Bulmer, and drawn by the brilliant Jesus
Blasco, The
Steel Claw ran
for some 11 years (472 episodes), the story of Louis Crandell, a man
who gained the power of invisibility (apart from his steel hand) in a
lab accident. The character is another British creation with a strong
following abroad.
Cartoonist and comics expert Lew Stringer noted in a post to the
Comics International news group that the Steel Claw's character
changed considerably over the years, something he noticed while
researching Louis Crandell for his fanzine, Metamorph,
way back in 1981. Originally quite a bitter and twisted villain
- like the Spider - perhaps
the popularity of the strip caused the editor to turn him from
anti-hero to hero and begin working (most of the time at least)
as a "lone wolf"-styled secret agent who, like James Bond, was
occasionally seen at odds with his boss on a number of occasions.
The strip had a break during its run, returning as Return of The
Claw with Crandell no longer a member of the secret service. In fact he
had buried his metal claw and
retired to Essex but, faced with his responsibilities when alien-possessed
kids invade, he digs up the claw to face the threat.
After this, Crandell decides to cash in on his power and sets himself
up as a private investigator. A few issues later he's penniless and scrounging
for food in bins. He later becomes a bounty hunter, is mistrusted by
the public, and hunted by the police, causing him to leave the UK for
South America.
"Whilst it's interesting that The Steel Claw had far more
character development than most of his peers in the fictional Fleetway "universe",
his personality/ status changes seemed to be at the whim of the scriptwriters,"
feels Lew.
Titan Books have published one volume of Steel Claw stories:
• Buy The
Steel Claw: The Vanishing Man from
Amazon.com
• Buy The Steel Claw: The Vanishing Man from
Amazon.co.uk
In 1988 in their run-down Worthing
bedsit, two comic artists Jamie Hewlett and Alan Martin
consumed tremendous amouts of cheap beer in an attempt
to come up with something radical. Finally, on a Thursday
night, sometime about 3.00am they created woman. Sassy,
aggressive, skinhead woman - and she promptly spat in
their eye. Tank Girl was born and thankfully, she made
it just in time for issue #1 of Deadline Magazine.
Fan: The
Unofficial Tank Girl Site
The unofficial Tank Girl WWW
site home of everyone's favourite punkster chick. Includes
complete character biography, news and more.
Biographical: Worthing.co.uk:
Tank Girl
The Worthing community web
site celebrates two its most famous sons.
Freddie
Crompton drew the strip 'Tiny and Tot' which began in British
magazine Chick's
Own, one of comic artist John
Ridgway's earliest reads. The
strip got its own magazine, Tiny
Tots in 1927.
Official: www.thrudthebarbarian.com
Owned
by:
Carl
Critchlow
This
dim
muscle-bound
warrior
first
appeared
in
gaming
mag
White
Dwarf
but
now
creator
Carl
Critchlow
has
revived
the
character
in
foull
colour
indie-produced
comics.
They're
brlliant!
Carl has been interviewed
about his self publishing work for the BBC's comics site.
Owned by: IPC Media
The Trigan Empire was
a strip that ran in the UK's Look
and Learn, sold all over Europe where
it has a huge following and
later reprinted in Britain in the short-lived Vulcan.
Drawn notably by Don
Lawrence and, late, Oliver Frey, Ron Embleton, Gerry
Wood and Philip Corke, it was wholly scripted by Mike Butterworth
and told short sharp tales clever in design and effect.
For more information on Look and Learn itself,
visit www.lookandlearn.com
Fan: http://trigan.com/
There's not a lot of information here just yet other than
a lisitng of all strips and info on characters, but it's
a good start.
• Read
an interview with V for Vendetta artist David Lloyd on this site
• Film
web site: http://vforvendetta.warnerbros.com
Above:
An early Warheads design by artist Gary Erskine
• The Marvel UK Appendix Site - warheads
Link: www.marvunapp.com/Appendix2/warheadsmuk.htm
• Wikipedia
entry
Warheads was a tite
I edited for Marvel UK that formed the core of its initial Marvel UK
Universe US books launch in 1992 along with Hell's
Angel (later,
Dark Angel after
legal threats from the Hells Angels), Digitek and Motormouth.
Featuring mercenaries passing through a wormhole created through technomagic
to who knows where and who knows when -- if that sounds strangely
like a long-running TV series and 1994 film, Warheads was
devised in 1991 by Paul Neary who freely admitted he'd been inspired
by Frederick Pohl's rather brilliant novel Gateway --
the book ran for 14 issues and one mini series, with various short
strips originated for the UK title Overkill,
some of which were actually published, some (one, for example, drawn
by Charlie Adlard) which didn't appear. The initial two books were
drawn by Gary
Erskine and early stories by Nick Vince. Geoff Senior,
Simon Coleby and Stuart Jennett provided art on subsequent issues of
the main titles, while Mark Harrison provided some Warheads-inspired
covers for Overkill and Dave
Taylor was among
the artists whose Warheads strips were published in the news stand
title.
It was a great title to work on (if marred by Marvel
US demands for endless crossovers featuriing their characters), and
working with Paul Neary as editor in chief and the book's creator was
a hard but worthwhile le arning curve. I wrote three issues of
the main book - one featuring Iron Man in the US edition, but his appearances
edited out of the Overkill version
of the story because at that point we were avoiding running superheroes
in the title, so the story had to be written so it would read as if
the Iron Man pages weren't there - you have a look at Warheads #3,
read all the pages which don't feature an actual appearance by Iron
Man and see if it works! (Market research
subsequently discovered that UK comics readers expected a Marvel branded
comic to feature superheroes, so that crazy idea was thankfully dropped).
Two mini series were commisioned. Warheads:
Black Dawn by
Craig Houston, drawn by Charlie Adlard was published but Warheads:
Loose Cannons by Dan Abnett, painted by Mark
Harrison was a victim of the comic market implosion of 1994 in the
US which also saw the end of Marvel UK and its swallowing by Panini.
I was delighted to discover that despite this, Mark Harrison recovered
his artwork from MUK and has subsequently published most of the four
issue mini series online: you can read it at: www.2000ad.org/markus/loosecannons/
• Wallace & Gromit: Pier Too Far
by Dan Abnett and Jimmy Hansen
Wallace & Gromit return for fun at the fair in their fourth all-new adventure
from Titan. On a seaside holiday, Wallace decides to help save an ailing pier
by using his technical skills to stage a talent contest. But will he be able
to win back the pier's customers from the glitzy new casino owned by the dastardly
PG Burpham? And will trusty Gromit be seduced by the bright lights of the stage?
• Order it from Amazon.co.uk: Go
• Order it from Amazon.com: Go
• Wallace & Gromit:
Plots in Space
by Dan Abnett
• Wallace
and Gromit: The Longest Yarn
by Dan Abnett and Jimmy Hansen
Official: www.blackboarpress.com
David Hitchcock's take on the
Jack the Ripper mythos.
Link: www.subtextopedia.com/Wanda
ADULT SITE
Oh, Wicked Wanda! (OWW) is an erotic illustrated comic that ran in the
back pages of Penthouse magazine from 1973 through 1980. Each issue of
the strip - painted by Ron Embleton - contained up to eight pages of
full-color cheesecake art combined with carefully written sexual escapades
and political satire.
Although
the content of OWW was definitely a tribute to its own era, it remains
interesting to readers today. This may be due in part to the serial comic's
focus on two lovely women who were remarkably independent for the time
the comic was written.
• Visit
this page for sites devoted to specific British Comics Titles
• Visit this page for British
Comics Characters from ABC Warriors to Janus Stark
• Visit this page for British
Comic Characters from James Bond and Jeff Hawke to Modesty Blaise
