Pitching at Conventions
What is the best way to pitch scripts at conventions?
This guide is based on discussions on the Comics
2000 Yahoo
group. Special thanks to those who threw in ideas
for this and gave permission for their comments to be included here. For
more advice on portfolio presentation, click here. Further thoughts always
welcome!
Speaking from experience as a commissioning editor at Marvel UK in the early 1990s, in my humble opinion editors really need time to read scripts properly if they want to make an informed judgement about them, and also have time to respond without a background of clinking beer glasses.
So it's great for them to meet prospective writers, but I wouldn't honestly expect them to read scripts at such an event. But if you're lucky, they may well come back to you later in the weekend about your work if they do find time to read it.
If you're approaching an editor about working for their company, I'd suggest you simply express an interest in pitching scripts and see what they say. Ask if you can send in some samples to their office. (As you know, many of the larger companies won't even look at unsolicited story ideas and pitches now). That way, you can begin your letter "Dear...., we met recently at [insert convention name here] and you kindly suggested I send you some samples of my comics writing." Include in that letter any relevant experience - have you been writing a comic strip for a fanzine for example?
Be polite, keep the covering letter short and let your script tell your story. Make sure it is well presented, spell checked and reads well. If you can't find time to invest in these simple preparations, then you are unlikely to sell yourself. Do not submit by e-mail and only send photocopies of your work, never originals.
Go and see as many editors on panels as you can, and if they are prepared to make time to talk to you afterward, offer to buy them their preferred legal poison in the bar and quiz them further if their title appeals to you. What are they looking for in terms of upcoming scripts? How should you submit a pitch? Sometimes you can glean more than might be available on the company's web site or from anything they send by way of a stamped addressed envelope.
I'd also STRONGLY advise that as for artists, if you are approaching a particular company, you should submit a sample script featuring the characters that company features, rather than your own. As they want to see artists can really draw their characters, so they'll also want to see that writers can really write for their characters. Keep the script short, perhaps: write an eight page vignette rather than a 22 page complete story. (More on cold pitching here)
Also, rather than thrust a script at an editor, give serious consideration to submitting a strip, working with an artist. That way, two aspiring creators may get work. If you can, ensure it is well lettered. Definitely ensure it looks as professional as possible given your budget. (Again, this is an investment in your future. If it looks cheap, you reduce your chances of success).
If you edit a fanzine, give the editor a free copy and make sure you have included the editorial address in it! If an editor has the time to read your story, they'll know pretty quickly if you have the potential to write effectively for comics. Warren Ellis began his career by writing fanzines and it hasn't done him any harm. So did I (hmm, maybe the logic becomes flawed here).
THANK YOU!
Thanks to Kev Sutherland and Matt Brooker (D'Israeli) for their tips on this matter. If there are any writers and editors out there who would like to add to the comments on my pages, please feel free to write, thank you.